PDF Ebook Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player, by Robert Rodriguez
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Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player, by Robert Rodriguez
PDF Ebook Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player, by Robert Rodriguez
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Review
“Robert Rodriguez won critical acclaim and the attention of every studio in Tinseltown with his action-packed debut feature, El Mariachi—but the question remains: However did he write, direct, shoot, and edit the flick all by his lonesome…and for a paltry $7,000? You’ll find that out and more in this straight-talking and highly entertaining memoir-cum-moviemaking primer... you will never view an independently made movie (or $7,000) the same way again.”—Entertainment Weekly“There's no one in the American film business quite like Robert Rodriguez, who plays completely outside the rules imposed by Hollywood studios… Given his success rate, it's clear his method works… Rodriguez has long been a hero to independent filmmakers.”—The Daily Telegraph"A hero to the independent film crowd."—The New York Times“Only someone very young or ignorant would attempt to make a feature film with $7,000 dollars and no crew. This is because most people know such an endeavor is impossible. Not only did Robert Rodriguez create ‘El Mariachi’ under those conditions but at 23 he became a Hollywood success overnight… Rebel Without a Crew is the kind of book one would expect from someone who had the courage to break with convention and enough talent for it to pay off almost immediately.”—The Los Angeles Times
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About the Author
ROBERT RODRIGUEZ is an independent screenwriter and director of more than fifteen feature films. He pioneered the “Mariachi-style” and “one-man film crew” styles of filmmaking, and is the founder of the production company, Troublemaker Studios. Some of Rodriguez’s films include Sin City, Desperado, Once Upon a Time in Mexico, The Faculty, Sharkboy and Lavagirl, Spy Kids, Planet Terror, and Machete. He has collaborated with Quentin Tarantino on From Dusk Till Dawn and Grindhouse.
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Product details
Paperback: 285 pages
Publisher: Plume; 1st Edition, 7th Pri edition (September 1, 1996)
Language: English
ISBN-10: 0452271878
ISBN-13: 978-0452271876
Product Dimensions:
5.3 x 0.8 x 8 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
251 customer reviews
Amazon Best Sellers Rank:
#15,988 in Books (See Top 100 in Books)
This is a very motivational book for budding filmmakers. Not in the rah-rah, you're-the-best kind of way. But by leading by example.There are lots of examples of how to get lots done on a tiny budget. But, it doesn't get bogged down in technical details. They're mentioned and then on to the next thing.It's neat to see a daily journal that's been turned into a book that is very easy to read.About one-quarter of the book (75 of 285 pages) is the screenplay for "El Mariachi", which is nice to have and provides much to be learned from, but it isn't required reading.I came away feeling inspired. That's pretty good praise for any book.
This is a really great inspirational read for a young person interested in the film industry. I bought this for my teen son who is very interested in pursuing a career in film. Just the title alone made him excited to read it. It's motivational and encouraging while still being informative and educational.
I've read this book through cover to cover three times so far.His journey is indeed an unorthodox one, and won't happen to too many other people, because why would it? That was his path and everyone's journey into this industry is different. However, you can learn some GREAT secrets on filmmaking, dealing with studio peeps and how to better your craft in no-time flat. The stuff about him signing with ICM & getting deals? That comes when you do good work and a monkey can sign a contract. The filmmaking and the time-crunches he blasted through...that's where the art is and he explains it all brilliantly.This is simply a must-have book for new, inspiring and hopeful filmmakers. It's like they always say...if he can do it, then you can do it too. :)
This is a great book for anyone, but really good for anyone that is interested in getting into film. Rodriguez has a very simple approach to telling his story and it is such a great story that it deserves to be told. This is inspiring and gives an inside look at the way and speed at which things move in the movie business. There is even a bit of the cinematic flair that Rodriguez is so good at showing on film but in a text format.
While this book didn’t go into great detail about how to make a film on a low budget or get into the industry, I found myself very inspired to go out and make my own films. I read most of this in one night and I loved how honest and candid he was. His approach to filmmaking is to just do it. Use what you have, work your bum off and have a plan. I highly recommend this to anyone that needs that extra boost of motivation to pick up the pen and paper and start writing their first script.
I have many books, and have read many on filmmaking, by filmmakers. This is right now my favorite one, for brevity, inspiration, usefulness, motivation, based on both the author's experience & his knowledge. I wish it was out on e-book and audiobook. But since it's not, I had it sent directly to my one dollar scan, and then listen to it and read it on the voice dream app on my iPhone. Also on my eink a Kindles (The older model Kindle touch, for text to speech, and my Kindle paperwhite, for when I just want to read).(The older model Kindle touch, for text to speech, and my Kindle paperwhite, for when I just want to read). I hope the publisher will eventually put this out on e-book and audiobook. I buy it again. Yes, that good!
Fascinating read for any aspiring filmmaker. Rodriguez's rise to director stardom is pretty dazzling, but he does not skip over the literally backbreaking work it took to get him there. He's also extremely encouraging to newbie and low-budget directors in the crash course in filmmaking included at the end of the book, mostly on what to keep at the top of your priority list and what to ignore. His advice is still especially relevant in the era of YouTube and proliferating webseries.I was recommended this book by the crew behind the indie film "Hybrid Vigor". I would definitely recommend it in my turn to anyone else who's trying to find the right attitude for getting into filmmaking.
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